Vinyl is alive
Physicality is exactly why records still endear themselves to audiophiles and DJs alike — because they possess an immediacy and involvement missing from compact discs. Compare putting a needle into the groove of a record to inserting a CD into a player, and don’t forget to factor in the warmth of analog versus digital sound.
Is vinyl convenient? No. But that’s the whole point. Each step in this almost lost art has a narrow margin of error, and necessitates a delicate and attentive eye. Each record takes 45 seconds to get pressed (as compared to the one second in which a CD is born) and a wealth of skills to get done properly.
High Fidelity, the recent John Cusack comedy film, showed the
general public a slice of life from a clandestine world often shrouded
in solitude and flea markets: the world of the record collector.
If you look closely, you can see them scouring second-hand stores, looking
for buried treasure, scurrying from one specialty store to another, or
muttering amongst themselves about imports and white labels. For these
people, there's something about listening to vinyl that borders on the
ceremonial, the mystic. All one has to do is note the extreme, almost
reverent care with which the black disc is drawn from its sleeve, lowered
onto the turntable - cleaned perhaps - before the needle is dropped.
A blip of noise signals contact, then a low, droning hiss fills the speakers
before the music begins. It's almost religious.
There are early or obscure releases by artists available only on vinyl as a reason for the medium's continued popularity with collectors. "There's a lot of stuff which never made it to CD, so if you want it, you've got to seek it out."
These days, vinyl's become something of a habit for me. Although my CDs still outnumber my records the ratio is getting closer every month, I'm slowly but surely becoming a vinyl fetishist. I love the big and glorious sleeve art that CD covers will never be able to replicate. I love the satisfaction that comes with carrying a heavy stack of records home after scouring the shops. I love the jolt that runs down the spine when a rare import album in pristine condition is found amidst dozens of copies of "Johnny Cash " and Barbara Streisand records at the Salvation Army. Scratched, cumbersome and ancient: I love vinyl.
Look at us now...
We have gone from a lesser quality product (Cd's are ok, but they really don't sound as good a vinyl) to a much lesser quality source (MP3 sounds terrible.)
We've moved from our living rooms, bedrooms, and record shops to our laptops and ipods... online. pretty lame if you ask me.
Mark
Levinson 326S "What I did become increasingly aware of during
my time with the Levinson No.326S was the fact that "neutrality" is not
merely an absence of aberration but a positive virtue. I could hear more
deeply into the mix, but without detail being spotlit or unnaturally
thrown forward. Subtle details were presented with greatercontrast against
a quieter ground in all of these recordings: the reverberation tails
that follow Joe Morello's kick drum highlights in his drum soloin "Take
5" from Dave Brubeck's Time
Out (SACD, Sony 7464-65122-6)" - John Arkinson - Stereophile Jan 2006 |
Ayre Acoustics C-5xeMP
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Gryphon Diablo The ultimate
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Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback |
Teac Esoteric DV-60Stereophile Class A+ Rated Universal Player gets an Upgrade! |
Gryphon PoseidonThere
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