Vinyl is alive
Physicality is exactly why records still endear themselves to audiophiles and DJs alike — because they possess an immediacy and involvement missing from compact discs. Compare putting a needle into the groove of a record to inserting a CD into a player, and don’t forget to factor in the warmth of analog versus digital sound.
Is vinyl convenient? No. But that’s the whole point. Each step in this almost lost art has a narrow margin of error, and necessitates a delicate and attentive eye. Each record takes 45 seconds to get pressed (as compared to the one second in which a CD is born) and a wealth of skills to get done properly.
High Fidelity, the recent John Cusack comedy film, showed the
general public a slice of life from a clandestine world often shrouded
in solitude and flea markets: the world of the record collector.
If you look closely, you can see them scouring second-hand stores, looking
for buried treasure, scurrying from one specialty store to another, or
muttering amongst themselves about imports and white labels. For these
people, there's something about listening to vinyl that borders on the
ceremonial, the mystic. All one has to do is note the extreme, almost
reverent care with which the black disc is drawn from its sleeve, lowered
onto the turntable - cleaned perhaps - before the needle is dropped.
A blip of noise signals contact, then a low, droning hiss fills the speakers
before the music begins. It's almost religious.
There are early or obscure releases by artists available only on vinyl as a reason for the medium's continued popularity with collectors. "There's a lot of stuff which never made it to CD, so if you want it, you've got to seek it out."
These days, vinyl's become something of a habit for me. Although my CDs still outnumber my records the ratio is getting closer every month, I'm slowly but surely becoming a vinyl fetishist. I love the big and glorious sleeve art that CD covers will never be able to replicate. I love the satisfaction that comes with carrying a heavy stack of records home after scouring the shops. I love the jolt that runs down the spine when a rare import album in pristine condition is found amidst dozens of copies of "Johnny Cash " and Barbara Streisand records at the Salvation Army. Scratched, cumbersome and ancient: I love vinyl.
Look at us now...
We have gone from a lesser quality product (Cd's are ok, but they really don't sound as good a vinyl) to a much lesser quality source (MP3 sounds terrible.)
We've moved from our living rooms, bedrooms, and record shops to our laptops and ipods... online. pretty lame if you ask me.
Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price. |
Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005 |
Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best. |
Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback |
Teac Esoteric DV-50SThe Esoteric DV-50 is the most fun you can have with digital music playback short of the dCS trio reviewed by Michael Fremer in April 2003 (Vol.26 No.4). Given that the dCS gear costs about six times as much as the DV-50, the Esoteric is a screaming bargain, especially considering its hyper-advanced technology, bulletproof build, and exceptional sound. You can even play movies on it. - Stereophile Extract |
ProAc D100 The
imposing new Response D100 takes on the mantle of flagship model
from our legendary Response Four, which has delighted discerning
audiophiles for the last twelve years. |
