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Vinyl is alive

Physicality is exactly why records still endear themselves to audiophiles and DJs alike — because they possess an immediacy and involvement missing from compact discs. Compare putting a needle into the groove of a record to inserting a CD into a player, and don’t forget to factor in the warmth of analog versus digital sound.

Is vinyl convenient? No. But that’s the whole point. Each step in this almost lost art has a narrow margin of error, and necessitates a delicate and attentive eye. Each record takes 45 seconds to get pressed (as compared to the one second in which a CD is born) and a wealth of skills to get done properly.

High Fidelity, the recent John Cusack comedy film, showed the general public a slice of life from a clandestine world often shrouded in solitude and flea markets: the world of the record collector.

If you look closely, you can see them scouring second-hand stores, looking for buried treasure, scurrying from one specialty store to another, or muttering amongst themselves about imports and white labels. For these people, there's something about listening to vinyl that borders on the ceremonial, the mystic. All one has to do is note the extreme, almost reverent care with which the black disc is drawn from its sleeve, lowered onto the turntable - cleaned perhaps - before the needle is dropped. A blip of noise signals contact, then a low, droning hiss fills the speakers before the music begins. It's almost religious.

There are early or obscure releases by artists available only on vinyl as a reason for the medium's continued popularity with collectors. "There's a lot of stuff which never made it to CD, so if you want it, you've got to seek it out."

These days, vinyl's become something of a habit for me. Although my CDs still outnumber my records the ratio is getting closer every month, I'm slowly but surely becoming a vinyl fetishist. I love the big and glorious sleeve art that CD covers will never be able to replicate. I love the satisfaction that comes with carrying a heavy stack of records home after scouring the shops. I love the jolt that runs down the spine when a rare import album in pristine condition is found amidst dozens of copies of "Johnny Cash " and Barbara Streisand records at the Salvation Army. Scratched, cumbersome and ancient: I love vinyl.

Look at us now...

We have gone from a lesser quality product (Cd's are ok, but they really don't sound as good a vinyl) to a much lesser quality source (MP3 sounds terrible.)

We've moved from our living rooms, bedrooms, and record shops to our laptops and ipods... online. pretty lame if you ask me.

 

Mark Levinson 326S "What I did become increasingly aware of during my time with the Levinson No.326S was the fact that "neutrality" is not merely an absence of aberration but a positive virtue. I could hear more deeply into the mix, but without detail being spotlit or unnaturally thrown forward. Subtle details were presented with greatercontrast against a quieter ground in all of these recordings: the reverberation tails that follow Joe Morello's kick drum highlights in his drum soloin "Take 5" from Dave Brubeck's Time Out (SACD, Sony 7464-65122-6)" - John Arkinson - Stereophile Jan 2006

After 6 months of testing John compared it to a host of other high end preamps and gave it a glowing recommendation saying that it offered all he wanted from a preamp.

Ayre Acoustics C-5xeMP Universal Disk Player "...but for the resolutely two-channel audiophile, the C-5xeMP represents one of the most seductive choices available today." - Paul Miller Apr 2007 HiFi News

Stereophile Extract: " I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier, pure music at its best.

The Diablo sounded just beautiful in my system. It was also perfect in operation, with some unique features -- such as that wonderful touch-panel faceplate. All of this makes for an easy and hearty recommendation. It may or may not be built by wizards in some far-off land, but the Gryphon Diablo is a real product that any audiophile who seeks magic from his audio system should fully explore.’
Jeff Fritz, Soundstage

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-60Stereophile Class A+ Rated Universal Player gets an Upgrade!
Dave Robinson, the editor in chief at www.positive-feedback.com  wrote..." "Blow me down!" said Popeye—and so do I about the Teac Esoteric DV-60. Over the past year, I've lived with this superb universal player, and have gotten to try it with just about everything you could feed it on an optical disc. It has been flawless in operation, is impeccable in ergonomics and fittings, and is glorious for both video and audio playback.

Gryphon PoseidonThere are Loudspeakers and then there is the Gryphon Poseidon, In our opinion the best loudspeaker system in the world bar none.

I could say the Poseidon's are awesome and amazing, but more than that they are truly majestic and magical. So often the quality of a product is overstated by reviewers in order to make a magazine review seem more interesting. It would be most difficult to overstate the sonic abilities of the Poseidon.

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