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THIEL

       

CS 1.6 Two Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £1895
  Amberwood, Silver, Morado pair £1995
  Bird’s Eye Maple pair £2195
  Satin Black pair £1695
       

CS2.4 Three Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £3495
  Amberwood, Silver, Morado pair £3595
  Bird’s Eye Maple pair £3895
  Satin Black pair £3195
       
Thiel CS3.7 Innovative new design   TBA
       

CS6 Three Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £6895
  Amberwood, Silver, Morado pair £6995
  Bird’s Eye Maple pair £7495
       

CS7.2 Four Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £11995
  Amberwood, Silver, Morado pair £12495
  Bird’s Eye Maple pair £12995
       

MCS1 (price each) Three Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £1695
  Amberwood, Silver, Morado pair £1795
  Bird’s Eye Maple pair £1949
       

pCS Three Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £2295
  Amberwood, Silver, Morado pairTHIEL £2395THIEL
  Bird’s Eye Maple pair £2495
       

SCS3 (price each) Two Way Loudspeaker

Black Ash, Cherry, Maple, Oak, Walnut pair £995
  Amberwood, Silver, Morado pair £1095
  Bird’s Eye Maple pair £1195
       

SS1 Active Subwoofer

Black Ash, Cherry, Maple, Oak, Walnut pair £1995
  Amberwood, Silver, Morado pair £2095
  Bird’s Eye Maple pair £2295
  Satin Black pair £1895
       

SS2 Active Subwoofer

Black Ash, Cherry, Maple, Oak, Walnut pair £3795
  Amberwood, Silver, Morado pair £3895
  Bird’s Eye Maple pair £3995
  Satin Black pair £3695
       

SS4 Active Subwoofer

Black Ash, Cherry, Maple, Oak, Walnut pair £6795
  Amberwood, Silver, Morado pair £6895
  Bird’s Eye Maple pair £7495
  Satin Black pair £6595
       

About Thiel

Stereophile's Editor John Atkinson Interviews Designer Jim Thiel

Stereophile's March '98 issue featured an insightful interview with Jim Thiel written by Editor John Atkinson. Here is an excerpt of that interview.

John Atkinson visited the THIEL factory last year for a tour and to sit down with Jim to discuss his design philosophy. The results were published in the March 1998 issue of Stereophile.

The interview begins with a discussion about Jim getting started in the speaker business and the choice of designing dynamic speakers. After designing and marketing two bookshelf style speakers starting in 1976 "I started thinking a lot more seriously about not just making a good product, but making a product that I hoped would be better than any others available," said Jim. "I started giving a lot of thought to the inherent limits and problems of dynamic speakers and identified one area: the phase and time distortion that's introduced by typical high-order crossover networks, and the fact that the drive-units are not mounted coincident with each other."

After designing and marketing two bookshelf style speakers starting in 1976, "I started thinking a lot more seriously about not just making a good product, but making a product that I hoped would be better than any others available."
-Jim Thiel

The birth of Coherent Source
Jim goes on to explain the beginnings of his Coherent Source design by using phase correct first-order electrical networks and drivers mounted along a sloped baffle for proper time performance, a basic design principle that is at the core of every THIEL product built today.

Jim also discusses driver design and how THIEL's drivers have evolved over the years from using modified OEM drivers to today's completely THIEL designed and built units. This means that "we can implement designs that are more exactly what I desire," says Jim. And that speeds up development time and allows for a lot more experimentation to get the design perfected. "we'd actually made 77 different experimental versions of the CS7's lower-midrange unit. We were able to go through so many iterations that we can end up with a design that is much closer to what we want." And what Jim wants-and has achieved-are speakers with lower distortion, greater dynamics, and more accurate tonal balance.

Evolution of design
The coaxial driver mounting, short coil/long gap motor design, and the use of metal diaphragms in the latest models are also discussed as an ongoing refinement of those basic principles Jim dedicated himself to 20 years ago. "All of our products have incorporated incremental advances in various aspects of their design [over the years]: improvements in the quality of crossover components, improvements in the drivers, improvements in the cabinet construction," says Jim.

Measurements and listening
One of the more interesting aspects of the interview is Jim's comment on how he correlates measurements with listening. "I view the ear as a measurement tool. And you can use it to evaluate the differences between the sound of loudspeaker designs just as usefully as you can use a computer to evaluate objective differences," says Jim. "I can make a change to the crossover circuitry and measure the effect that has on performance, then go and listen to what effect it has on the subjective performance. And I've done that tens of thousands of times over the years. You can build up quite an understanding of the correlations between measurements and subjective impressions."

And what goals does Jim seek to achieve in future THIEL products? "One thing that would be ideal is for all the drivers in the three- or four-way system to be coincident. So you would have not only a coaxial unit, you would have a triaxial unit, or four drivers that are mounted coaxially. That would be an improvement, if you could pull off such a thing," says Jim. "There are always improvements to make, with better diaphragm materials, lower-distortion, higher-quality components, better cabinet construction methods. We just have to see what new ideas we come up with in the future."

Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price.

Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best.

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Vac Renaissance Signature II "With the "right supporting cast," the VAC Renaissance Signature Mk.II is the best preamp I've auditioned. Its resolution of low-level spatial, temporal, and timbral detail, and its uncanny coherence across the realms of space, frequency, and loudness, put it in a class by itself. These strengths made listening to a musical performance through the Signature a more moving experience for me, and one step closer to the real thing.." - Stereophile Extract - Brian Damkroger

ProAc D100 The imposing new Response D100 takes on the mantle of flagship model from our legendary Response Four, which has delighted discerning audiophiles for the last twelve years.

The D100's produce stunning music, effortlessly. The enhanced sensitivity extracts the tiniest detail from any recording without brightness or exaggeration. Greater bandwidth creates a huge soundstage, drawing in the listener and creating a concert hall experience, where the loudspeakers seem to melt from the scene..

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