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srs 4040

STAX

"And they sound fantastic. You become a part of the soundfield, whether vast and borderless, as on the best techno, or intimate and personal, as on John Atkinson's recording of the Schulhoff violin sonata [Stereophile STPH 012-2].

From the start of my audition, I was suspended in the middle of the sound with the Stax. No detail seemed too small to escape the Stax's resolving power. Listening casually to Old Friends [Columbia 64780 3-CD box], the superb Simon & Garfunkel retrospective, one evening, I was jolted out of my reverie by a twenty-year-old prank. As Artie Garfunkel was crooning "So long . . . so long; so long . . . so long . . .," I was startled to hear Paul Simon shout "So long, already!" deep in the mix. Oh, I'd heard it a time or two before -- just never so clearly when I wasn't listening for it.

I also listened to tons of new recordings with the Stax combo -- and, if you want to hear what's going on in a mix, down to and including all edits, these guys will tell you. As an engineer's tool, they are almost in a league of their own.

That doesn't mean they aren't enjoyable to listen to. After watching The Two Jakes on AMC recently, I was still in a retrospective mood. Taking my cue from the recording of "Haunted Heart" that played under the end-credits, I cued up Charlie Haden and Quartet West's 1992 Haunted Heart [Verve 314 513]. I fell into the lush '40s' mood, buoyed along by Alan Broadbent's piano and Ernie Watts' astringent sax, following Haden's acoustic bass deep, deep into the past.

As in fiction, it's the little details that matter. Haden's bass sounded huge -- but not bigger than life. And Watts' sharp attack and brassy sound was informed by an early reflection off of some hard surface -- a wall, perhaps, or a plexiglass viewport in a studio gobo. Who knows?

But the details never obscured my musical satisfaction -- I wasn't more impressed by hearing that early reflection than I was by what Watts was playing. The Stax are eminently musically satisfying." - Extract from On Hifi Review by Wes Phillips

 

  • This model uses the same newly developed broad low-capacity cables as used with the SR-007 Omega 2 Earspeakers.
  • The oval drive units with a large vibrating area completely covers the ears.
  • Compared to the SR-303 there is a richer sense of dynamics and a more refined quality.
  • These Earspeakers can be used with any STAX Energiser that has one or more Pro outlets.

 

Review


Head Fi here-The Sounds-
One thing I noticed immediately was the presence of ‘headstage,’ unlike many dynamic headphones Staxs sounded very three dimensional. I felt as if the singers/musicians are sitting right in front of me, accompanies by orchestra that surrounds me. SRS-4040 sounded very detail (right term?), it has plenty of bass, well-defined trebles, and superb mid-ranges. I agree with Vertigo_1’s review of his Stax, Staxs are “extremely fast and transient.” I think I know what Vertigo_1 was talking about, the sounds literally ‘jumped’ out of the earspeakers; they are lively and energetic. Instruments do not blend or ‘merge’ with one another. I can hear the beginning and ending of an instrument, because of this characteristic, everything seems to speed up a notch (without losing any detail). I heard sounds that weren’t there before; it was a very unique and fantastical experience. However, I was a little disappointed with the bass, while it has plenty of it, it’s not as clear as I had hoped. If you look at its FR Response chart, it flickers a bit between 5Khz to 20 Khz.

I left the CD player running overnight (my friend would’ve killed me if he found out). Next morning when I got up, I immediately went back to it. It sounded a little ‘warmer’ than previous night, everything seem to blend in a little bit better, but not to a point where every sound is clogging together. The most dramatic change is the fact that basses now sound much deeper, not mention clear. I was thrilled by the change.

The Staxs are very unforgiving to bad recordings, or CDs with a lot of synthetic sounds/efx. It was very apparent with Britney Spears ‘Oops I did it again’ (Don’t ask me why, I can assure you I didn’t came up with the idea); it sounds murky and dark. The headstage collapsed the moment I hit the ‘play’ button. Ms. Spears’ raspy, girlish voice didn’t help either; I apologized if I offended anyone, she sounded as if she singing through a vocal enhancer (maybe she did). After much listening, I found that SRS-4040 is at its best with strings, or instruments that situates in the mid-to-high frequency, for example, ‘Princess Mononoke Hime’ and ‘Falcom Neo Classic’ (accompanied by London Symphony). Every sound were reproduced flawlessly, the trebles were extended to its extreme, incredibly fast and clear. By this time, the headstage had expanded into a small to medium hall, the acoustic is incredible.

 

Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price.

Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best.

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-50SThe Esoteric DV-50 is the most fun you can have with digital music playback short of the dCS trio reviewed by Michael Fremer in April 2003 (Vol.26 No.4). Given that the dCS gear costs about six times as much as the DV-50, the Esoteric is a screaming bargain, especially considering its hyper-advanced technology, bulletproof build, and exceptional sound. You can even play movies on it. - Stereophile Extract

ProAc D100 The imposing new Response D100 takes on the mantle of flagship model from our legendary Response Four, which has delighted discerning audiophiles for the last twelve years.

The D100's produce stunning music, effortlessly. The enhanced sensitivity extracts the tiniest detail from any recording without brightness or exaggeration. Greater bandwidth creates a huge soundstage, drawing in the listener and creating a concert hall experience, where the loudspeakers seem to melt from the scene..

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