Pathos InControl
Are a couple of highly innovative monoblock amplifiers
allowed to be driven by a business-as-usual preamplifier? Definitely
not.
The InControl project started exactly with this goal:
to provide the InPower monoblocks with a control unit that was able to
allow them to deliver all their impressive potential.
A goal not easily achieved: the research and development required two
years of lengthy study and hard work. Fortunately though, as is custom
at Pathos, the end result is one of excellence.
InControl is a two stage preamplifier entirely and intrinsically
balanced, operating in pure Class A.
InControl has been developed according to all the traditional Pathos
guidelines: tube tension amplification, solid state current amplification,
well dimensioned power supplies and the highest quality selected components.
The amplification stage is obtained with a double triode
in balanced configuration, while the output buffer is de signed with
extremely low noise components, for a sonic result which favours musicality,
transparency and naturalness.
In order to achieve maximum performance, all the single
power supplies are obtained by means of single stabilized shielded power
suppliers installed in a separate unit.
The volume control - which can be adjusted both by dialing
the knob and via the hand :rafted solid wood remote control - is of the
highest sophistication: it acts in 1dB steps by means of an optical device
which drives a battery of relais (vacuum packed, with thorium contacts),
which drive a network of precision resistors (1%,
metal layer). In a word, accuracy at its finest.
Specification
Type: two
stage preamplifier with remote in pure Class A
Feedback: absent
Frequency response: 5Hz ÷ 60kHz ± 0.3 dB
THI): <O.3%
Signal/noise ratio: 100dB
Input impedance: 100kOhm
Volume control: purely resistive, in 1 dB steps
Inputs: 5 line, including one balanced (XLR)
Outputs: 3, including one balanced (XLR)
Mark
Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable
cost of £6,995. Like most technologies the benefits of
the research for the reference products trickle down into more
affordable products like the 326s Pre-amp. You get alot of the
quality of its bigger brother, providing a jump in the quality
available at this price. |
Ayre Acoustics C-5xe
Universal Disk Player Stereophile Extract: "It ought
to be fairly obvious that I found the Ayre C-5xe more than satisfactory.
I didn't expect it to disappoint, but I was unprepared for just
how much it delighted me. I've heard a lot of impressive audio
components over the years, but I've heard very few that afforded
me greater musical pleasure or sent me on as many voyages of
musical discovery through discs I thought I knew well." - Wes
Phillips, July, 2005 |
Gryphon
Diablo The ultimate reference integrated amplifier at £6100.
The Gryphon sonic magic in a reasonable sized and georgeous case,
you must hear this as it puts most pre power combo's to shame,
pure music at its best. |
Brinkmann
LaGrange turntableThe Brinkmann LaGrange turntable is without
a doubt the best source component I have ever had the chance
to enjoy over an extended period of time. It represents a level
of perfection and emotional connection to music that I have never
heard before. - Danny Kaey extract from Positive Feedback |
Teac Esoteric DV-50SThe
Esoteric DV-50 is the most fun you can have with digital music
playback short of the dCS trio reviewed
by Michael Fremer in April 2003 (Vol.26 No.4). Given that the
dCS gear costs about six times as much as the DV-50, the Esoteric
is a screaming bargain, especially considering its hyper-advanced
technology, bulletproof build, and exceptional sound. You can even
play movies on it. - Stereophile Extract |
ProAc D100 The
imposing new Response D100 takes on the mantle of flagship model
from our legendary Response Four, which has delighted discerning
audiophiles for the last twelve years.
The D100's produce stunning music, effortlessly. The enhanced sensitivity
extracts the tiniest detail from any recording without brightness
or exaggeration. Greater bandwidth creates a huge soundstage, drawing
in the listener and creating a concert hall experience, where the
loudspeakers seem to melt from the scene.. |