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Mark Levinson

PREAMPLIFIER      
No 326S     £6,995
Phono Module     £995
No 320S     £5,495
Phono Module     £895
       

DUAL MONAURAL POWER AMPLIFIERS

 
No 431 Dual monaural power amplifier 200 watt stereo   £4,495
No 432 Dual monaural power amplifier 400 watt stereo   £6,495
       
THREE CHANNEL AMPLIFIER    
No 433 Three channel amplifier for audio / visual   £7,495
       
MEDIA PLAYERS      
No 51 Media Player   £13,895
       

MONAURAL POWER AMPLIFIERS

 
No 434 Monaural power amplifier 125 watt   £3,895
No 436

Monaural power amplifier 350 watt

  £4,895
       
INTEGRATED AMPLIFIER  
No 383

Fully remote dual monaural integrated amplifier 100 watt stereo

  £4,995
       
DIGITAL COMPONENT  
No 390S

Fixed or variable output via balanced analog volume control. HDCD filter.

  £5,495
       
REFERENCE SERIES    
No 32

Reference Preamplifier. Dual monaural twin chassis.

  £11,995
  Phono Module   £1,995
No 33H Monaural high current power amplifier 150 watt   £17,995
       
Mark Levinson Mark Levinson Mark Levinson Mark Levinson
       

 

About Mark Levinson

 In the early 1970's, many people felt that audio components were taking a musical step backward. Some of the early pioneers and developers of component audio had sold their companies to others who were mass-producing products for a much wider market. At the same time, the transistor had largely replaced the vacuum tube in electronic design. Although the new audio products measured better and were generally more reliable than their predecessors, critical listeners found that they preferred listening to the best of the equipment from the 1960's.

   Some concluded that the transistor itself was the main culprit, and turned back to vacuum tube designs to recapture more authentic reproduction of music. Although many excellent products have come out of this tradition, they have sacrificed the inherently greater reliability, consistency, and convenience of solid-state technology. From its beginning in 1972, Mark Levinson Audio Systems (MLAS) took advantage of new technologies, and refined them for superior musical reproduction.

   Like most "high-end" companies to this day, the early Mark Levinson products were the result of what can be called a craftsmanship approach to audio design. Careful choice of the finest components and attention to details of layout and construction, along with an industrial design that moved the austere look of professional studio equipment into our living rooms, contributed to the legendary performance and reputation of the early Mark Levinson products. Unfortunately, Mark Levinson Audio Systems—the company—was never able to achieve a stable business structure, and finally ceased to exist on October 15, 1984

   Initially formed as its sister distribution company, Madrigal Audio Laboratories, Inc., led by founder Sanford Berlin, began gathering the resources to carry on the important work of MLAS. The traditions of handcrafted quality and sonic excellence established by the failed company were reborn when on January 31, 1985, Madrigal purchased the entire assets of MLAS. Many of the key employees returned upon reopening of the factory, and production of Mark Levinson audio components resumed. Madrigal, however, soon progressed beyond the one-man design approach still typical of contemporary high-end audio companies. In 1985, the first university trained engineer was added to the full time staff.

   Since then, Madrigal has invested heavily in fundamental Research and Development. A full-time professional engineering staff is maintained, representing a variety of disciplines including analog and digital electronic engineering, mechanical engineering, software engineering, manufacturing engineering, and industrial design. These designers, along with supporting staff, computing tools and instrumentation represent a commitment to technological excellence unparalleled among high-end audio companies. At the same time, we recognize that our ears are the most sophisticated test instruments available, and have developed a unique relationship between subjective and objective evaluation, wherein each complements the other. This rigorous design approach has resulted in products that set the pace for musical performance, measure well on the test bench, and perform consistently for many years.

   From the introduction of the Mark Levinson Nº20 Reference Amplifiers in 1986 through the N°40 Media Console in 2002, Madrigal has brought the Mark Levinson product line to the pinnacle of international prestige, earning numerous "reference class" designations from reviewers as well as awards from groups representing consumers, dealers, reviewers, and manufacturers. We have also earned a reputation for enduring value, thanks to the outstanding performance, consistency, reliability, and durability of our designs. Moreover, our models remain in the marketplace longer, since they operate at the "state of the art" (which cannot be advanced according to a regular, annual schedule)

   In 2000, we launched the first in a series of Mark Levinson Premium Sound Systems, designed exclusively for the new Lexus LS430, their flagship sedan. Since then, the Mark Levinson option has been offered on other Lexus models and in 2001 became standard equipment in the new SC430 Sport Coupe. The quiet passenger cabin and Lexus genuine interest in delivering superior results have helped this partnership flourish in the pursuit of perfection.

Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price.

Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best.

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-50SThe Esoteric DV-50 is the most fun you can have with digital music playback short of the dCS trio reviewed by Michael Fremer in April 2003 (Vol.26 No.4). Given that the dCS gear costs about six times as much as the DV-50, the Esoteric is a screaming bargain, especially considering its hyper-advanced technology, bulletproof build, and exceptional sound. You can even play movies on it. - Stereophile Extract

ProAc D100 The imposing new Response D100 takes on the mantle of flagship model from our legendary Response Four, which has delighted discerning audiophiles for the last twelve years.

The D100's produce stunning music, effortlessly. The enhanced sensitivity extracts the tiniest detail from any recording without brightness or exaggeration. Greater bandwidth creates a huge soundstage, drawing in the listener and creating a concert hall experience, where the loudspeakers seem to melt from the scene..

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