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Mark Levinson

       
No 326S Pre-amp   Click for Price
No 432 2 x 400 watts   Click for Price
No 433 3 x 200 watts   Click for Price
No 436 350 watts 8 ohms   Click for Price
No 532 2 x 400 watts   Click for Price
Media Console   Click for Price
No 53 Mono amplifier   Click for Price
Mark Levinson Mark Levinson Mark Levinson Mark Levinson
       

 

About Mark Levinson

 In the early 1970's, many people felt that audio components were taking a musical step backward. Some of the early pioneers and developers of component audio had sold their companies to others who were mass-producing products for a much wider market. At the same time, the transistor had largely replaced the vacuum tube in electronic design. Although the new audio products measured better and were generally more reliable than their predecessors, critical listeners found that they preferred listening to the best of the equipment from the 1960's.

   Some concluded that the transistor itself was the main culprit, and turned back to vacuum tube designs to recapture more authentic reproduction of music. Although many excellent products have come out of this tradition, they have sacrificed the inherently greater reliability, consistency, and convenience of solid-state technology. From its beginning in 1972, Mark Levinson Audio Systems (MLAS) took advantage of new technologies, and refined them for superior musical reproduction.

   Like most "high-end" companies to this day, the early Mark Levinson products were the result of what can be called a craftsmanship approach to audio design. Careful choice of the finest components and attention to details of layout and construction, along with an industrial design that moved the austere look of professional studio equipment into our living rooms, contributed to the legendary performance and reputation of the early Mark Levinson products. Unfortunately, Mark Levinson Audio Systems—the company—was never able to achieve a stable business structure, and finally ceased to exist on October 15, 1984

   Initially formed as its sister distribution company, Madrigal Audio Laboratories, Inc., led by founder Sanford Berlin, began gathering the resources to carry on the important work of MLAS. The traditions of handcrafted quality and sonic excellence established by the failed company were reborn when on January 31, 1985, Madrigal purchased the entire assets of MLAS. Many of the key employees returned upon reopening of the factory, and production of Mark Levinson audio components resumed. Madrigal, however, soon progressed beyond the one-man design approach still typical of contemporary high-end audio companies. In 1985, the first university trained engineer was added to the full time staff.

   Since then, Madrigal has invested heavily in fundamental Research and Development. A full-time professional engineering staff is maintained, representing a variety of disciplines including analog and digital electronic engineering, mechanical engineering, software engineering, manufacturing engineering, and industrial design. These designers, along with supporting staff, computing tools and instrumentation represent a commitment to technological excellence unparalleled among high-end audio companies. At the same time, we recognize that our ears are the most sophisticated test instruments available, and have developed a unique relationship between subjective and objective evaluation, wherein each complements the other. This rigorous design approach has resulted in products that set the pace for musical performance, measure well on the test bench, and perform consistently for many years.

   From the introduction of the Mark Levinson Nº20 Reference Amplifiers in 1986 through the N°40 Media Console in 2002, Madrigal has brought the Mark Levinson product line to the pinnacle of international prestige, earning numerous "reference class" designations from reviewers as well as awards from groups representing consumers, dealers, reviewers, and manufacturers. We have also earned a reputation for enduring value, thanks to the outstanding performance, consistency, reliability, and durability of our designs. Moreover, our models remain in the marketplace longer, since they operate at the "state of the art" (which cannot be advanced according to a regular, annual schedule)

   In 2000, we launched the first in a series of Mark Levinson Premium Sound Systems, designed exclusively for the new Lexus LS430, their flagship sedan. Since then, the Mark Levinson option has been offered on other Lexus models and in 2001 became standard equipment in the new SC430 Sport Coupe. The quiet passenger cabin and Lexus genuine interest in delivering superior results have helped this partnership flourish in the pursuit of perfection.

Mark Levinson 326S "What I did become increasingly aware of during my time with the Levinson No.326S was the fact that "neutrality" is not merely an absence of aberration but a positive virtue. I could hear more deeply into the mix, but without detail being spotlit or unnaturally thrown forward. Subtle details were presented with greatercontrast against a quieter ground in all of these recordings: the reverberation tails that follow Joe Morello's kick drum highlights in his drum soloin "Take 5" from Dave Brubeck's Time Out (SACD, Sony 7464-65122-6)" - John Arkinson - Stereophile Jan 2006

After 6 months of testing John compared it to a host of other high end preamps and gave it a glowing recommendation saying that it offered all he wanted from a preamp.

Ayre Acoustics C-5xeMP Universal Disk Player "...but for the resolutely two-channel audiophile, the C-5xeMP represents one of the most seductive choices available today." - Paul Miller Apr 2007 HiFi News

Stereophile Extract: " I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier, pure music at its best.

The Diablo sounded just beautiful in my system. It was also perfect in operation, with some unique features -- such as that wonderful touch-panel faceplate. All of this makes for an easy and hearty recommendation. It may or may not be built by wizards in some far-off land, but the Gryphon Diablo is a real product that any audiophile who seeks magic from his audio system should fully explore.’
Jeff Fritz, Soundstage

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-60Stereophile Class A+ Rated Universal Player gets an Upgrade!
Dave Robinson, the editor in chief at www.positive-feedback.com  wrote..." "Blow me down!" said Popeye—and so do I about the Teac Esoteric DV-60. Over the past year, I've lived with this superb universal player, and have gotten to try it with just about everything you could feed it on an optical disc. It has been flawless in operation, is impeccable in ergonomics and fittings, and is glorious for both video and audio playback.

Gryphon PoseidonThere are Loudspeakers and then there is the Gryphon Poseidon, In our opinion the best loudspeaker system in the world bar none.

I could say the Poseidon's are awesome and amazing, but more than that they are truly majestic and magical. So often the quality of a product is overstated by reviewers in order to make a magazine review seem more interesting. It would be most difficult to overstate the sonic abilities of the Poseidon.

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