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BCD ENGINEERING

Equipment Supports and Accessories      
       
BCD 1100

Resonance-tuned 3-shelf equipment support.
Stainless steel & triple laminate glass.

                       
each £1695
BCD 1100/2

Resonance tuned equipment support,
2-shelf for power amps etc

each £1095
BCD 1100/A Extra shelf & support pillars (choice of 420, 280, 180mm) each £600
BCD 2100 Resonance-tuned wide AV equipment support, 3-shelf each £2895
BCD 2100/2 Resonance-tuned wide AV equipment support, 2-shelf each £1875
BCD 2100/A Extra shelf & support pillars each

£1025

BCD 1012

Special Steel Cones (set of 3).
For resonance evacuation of delicate equipment

           
  £150
       
       

About BCD ENGINEERING

Equipment Supports and Accessories.

The system supports and isolation devices from BCD Engineering are made to an awesome standard. Robust and solid, the designs stabilise and decouple the equipment to make your hi-fl really sing. An essential addition any system.

Lets take the BCD 1100 as an example:

bcd1100

Model 1100
Regarded by discerning audiophiles as the finest equipment support available anywhere. All audio equipment is to a greater or lesser extent affected by resonance. The Model 1100 has been designed to achieve its goal of effective resonance suppression by careful choice of materials and careful tuning of the complete structure. In consequence, equipment placed upon is capable of giving a clearer and better focused sound.

The lower shelf is black granited marble, intermediate and top shelves are one- inch triple laminate toughened glass. Model 1100 is supplied as 3-shelf support, with the choice of inter-shelf distances. The support pillars are constructed of high quality turned stainless tell and are loaded with sand and lead shot for increased stability By the addition of an extra shelf and support tubes (Model 1100A) the equipment support may be further configured to customer requirements. Special steel cones are supplied for effective ground coupling.

Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price.

Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best.

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-50SThe Esoteric DV-50 is the most fun you can have with digital music playback short of the dCS trio reviewed by Michael Fremer in April 2003 (Vol.26 No.4). Given that the dCS gear costs about six times as much as the DV-50, the Esoteric is a screaming bargain, especially considering its hyper-advanced technology, bulletproof build, and exceptional sound. You can even play movies on it. - Stereophile Extract

ProAc D100 The imposing new Response D100 takes on the mantle of flagship model from our legendary Response Four, which has delighted discerning audiophiles for the last twelve years.

The D100's produce stunning music, effortlessly. The enhanced sensitivity extracts the tiniest detail from any recording without brightness or exaggeration. Greater bandwidth creates a huge soundstage, drawing in the listener and creating a concert hall experience, where the loudspeakers seem to melt from the scene..

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