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ayre c5xe

Ayre C-5xe

C-5xe Universal Stereo Disc Player
Introducing a giant leap forward in the digital playback technology – the Ayre C-5xe. This new design creates a completely new product category, the U2 player (universal stereo player). The first of its kind, this no video, no compromise design plays all existing optical disc formats including: CD, SACD, DVD-Audio, DVD-Video (soundtrack only), and MP-3. This unique disc player is the ultimate playback machine for the music lover. When the music is paramount, the C-5xe sets a new standard. The C-5xe is truly for those of us who value the enjoyment of music above all else.

Reviews

“The Ayre C-5xe has proved to be the best-sounding product I’ve heard all year”

-- Wes Phillips, Stereophile July 2005

Review Links

Scintillating Stereo  by: Steve Gutenberg 8-01-2005


Ayre C-5xe universal disc player  by: Wes Phillips 7-28-2005


Features

  • Discrete decoding and playback of all formats in their native domain.
  • Zero feedback, DC-coupling, true differential balanced analog circuitry.
  • Twin linear power supply design.
  • Exclusive Ayre DSP software.
  • PCM formats are “upsampled” to quad-rate at 24 bits, and then “oversampled” to 32x at 24 bits.
  • Front panel LED display indicates format selected for DVD-Audio.
  • Control port allows for connection to system controller )e.g., Crestron or AMX).

Specifications

Maximum Output Level
2.05 V rms – unbalanced outputs
4.10 V rms – balanced outputs (PCM) 
1.00 V rms – unbalanced outputs
2.00 V rms – balanced outputs (DSD)

Frequency Response
DC - 20 kHz (44.1 kHz sample rate)
DC - 22 kHz (48 kHz sample rate)
DC - 40 kHz (88.2 kHz sample rate)
DC - 44 kHz (96 kHz sample rate)
DC - 80 kHz (176.4 kHz sample rate)
DC - 88 kHz (192 kHz sample rate)
DC - 100 kHz (2.8224 MHz sample rate)

Output Impedance
55 ohms – unbalanced outputs
110 ohms – balanced outputs (55 per phase)

Power Consumption
60 watts maximum

Dimensions
17-¼" W x 13" D x 4-¾" H 44 cm x 33 cm x 12 cm

Weight
26 pounds 12 kg

Mark Levinson 326S Baby version of the Ref 32 Pre-amp at a reasonable cost of £6,995. Like most technologies the benefits of the research for the reference products trickle down into more affordable products like the 326s Pre-amp. You get alot of the quality of its bigger brother, providing a jump in the quality available at this price.

Ayre Acoustics C-5xe Universal Disk Player Stereophile Extract: "It ought to be fairly obvious that I found the Ayre C-5xe more than satisfactory. I didn't expect it to disappoint, but I was unprepared for just how much it delighted me. I've heard a lot of impressive audio components over the years, but I've heard very few that afforded me greater musical pleasure or sent me on as many voyages of musical discovery through discs I thought I knew well." - Wes Phillips, July, 2005

Gryphon Diablo The ultimate reference integrated amplifier at £6100. The Gryphon sonic magic in a reasonable sized and georgeous case, you must hear this as it puts most pre power combo's to shame, pure music at its best.

Brinkmann LaGrange turntableThe Brinkmann LaGrange turntable is without a doubt the best source component I have ever had the chance to enjoy over an extended period of time. It represents a level of perfection and emotional connection to music that I have never heard before. - Danny Kaey extract from Positive Feedback

Teac Esoteric DV-50SThe Esoteric DV-50 is the most fun you can have with digital music playback short of the dCS trio reviewed by Michael Fremer in April 2003 (Vol.26 No.4). Given that the dCS gear costs about six times as much as the DV-50, the Esoteric is a screaming bargain, especially considering its hyper-advanced technology, bulletproof build, and exceptional sound. You can even play movies on it. - Stereophile Extract

ProAc D100 The imposing new Response D100 takes on the mantle of flagship model from our legendary Response Four, which has delighted discerning audiophiles for the last twelve years.

The D100's produce stunning music, effortlessly. The enhanced sensitivity extracts the tiniest detail from any recording without brightness or exaggeration. Greater bandwidth creates a huge soundstage, drawing in the listener and creating a concert hall experience, where the loudspeakers seem to melt from the scene..

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