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atc scm150asl

ATC SCM-150ASL

ATC is respected for its uncompromising approach to drive unit design and is probably best known in hi-fi circles for its range of active loudspeakers. The original aim was to develop a midrange drive unit capable of reproducing acoustic music more accurately than any other. Some 25 years on, the philosophy remains the same and each speaker is still hand-built.

AN OVERVIEW
As multi-channel systems increase in popularity, it is easy to forget that the basic stereo pair of speakers at the front of the listening area remains an essential element. Existing libraries of recorded music, the commitment of recording companies to stereo in its current form and the new high resolution digital two-channel formats indicate that stereo will continue to be the main source of recorded music for the foreseeable future. For these reasons ATC still regards the main stereo speaker pair as the foundation on which a high performance multi-channel system can be built. What better way to establish that foundation than by choosing the immensely powerful and highly dynamic SCM150 ASL three-way active monitor.

Reviews

There is one thing more than words that a reviewer can do to persuade me to buy a product and thats to actually buy one for himself. Jason Kennedy the noted Hi-Fi+ reviewer actually bought a pair of these for himself. If your job is listening to hifi all day and every day, then you have heard it all and know the score. Jason bought these for his own system, therefore these are fantastic speakers.

"The ATC SCM-150 monitors used on the "Romeo and Juliet Suites" sessions travel to all of the field recordings that Michael Bishop tracks for Telarc. "The SCM-150s are extremely revealing and tonally transparent. They're also very easy to set up, which is important to us. We use these monitors in our main post-production room, and we also take them on location in our own truck. We need that consistency of monitoring from recording through post, and it's important that we be able to set up monitors quickly when we're out in the field. Many high-end speakers are extremely room dependent, and take hours to set up - just to find the perfect spot to place them. The SCM-150s are rugged, and their directional characteristics are not overly dependent on the room sound, which means we can align them quickly and get to work. I find it really hard to work well without our ATCs on-session now!""

From the avsforum archive posted 02-02-04 06:08 AM:click here for link

"Watt Puppy 7/ Krell VS. ATC SCM150ASL

Well this post isn't about asking its about telling:

I must say the the new Wilson WP7 is likely the best WP ever...I was always partial to the WPIII. And under the pretenses of the new found excellence of the WP7 I was given a unique opportunity to teach a local dealer a lesson about doing there homework.

In a specially treated room and the Wilson's with home field advantage ( they were setup in ther dedicated dealer approved places. The ATC SCM150's were wedged in between really without a great deal of care.

We used a BAT VK-51 and a Krell stereo amplifer (voiding the warranty) on the Wilsons with the seemingly excellent Esoteric Universal player as a source.

The Wilson's are very good speakers they have a sense of clarity that the Aerial 20's couldn't rival and their bass extension is very commendable. Listening to a few varied cuts on the Wilsons was for the most part very enjoyable. The only complaint that I have about the Wilsons is a little bit of glare in the highs (could be electronics). The WP7's are smaller in size than the ATC 150's but I believe they required the large room we were in more than the 150's did.
The Wilson's threw a very large soundstage and created a sense of depth in the soundfield that was accentuated a little more than it really should be. Timbre's seemed to be real and the dealer/sales person was enamored with the WP sense of pace and timing. Had the SCM150's not been there and I was forced to compare these attributes with the other speaker lines sold there...I couldn't agree more.

Lest we forget that I brought SCM-150's to the party, which simply went about unravelling and exposing every single defect in the sound of the Wilson WP7. First the bass, the Watt puppy can plunder the depths but only with its own ham fisted coloration. The WP thundered on bass notes that the ATC's exposed the drum head timbres and revealed the material of the kick tom. This was a very striking difference in presentation. A difference that was actually to the Wilsons favor on a particular organ peice, but when track after track revealed the Wilson inability to play the bass that was unique to each recording it became tiresome and obvious.

Probably the most striking attribute the ATC has for this comparison is the incredible integration of all three drivers. On a particularly non audiophile track of Rick James "Superfreak" the ATC presented this pop cut with greater detail and listenability than the wilsons. If you judged the WP7 as a reference this cut seemed aggressive and lacking in all areas desirable for a listenable cut. The ATC made the Wilson presentation sound as if the music was seperated in three distinct bands of sound, bass, mids, high. they were not integrated very well making this cut nearly unlistenable on the Wilson system. Fine you say its a bad recording, well not all of it is and the ATC's proved this out by literally exposing the construction of the mix as choruses faded in and out and fills were added to build the track up the ATC's exposed these edits but never made the track unmusical, and my partners and myself felt there was no limit to how loud we wanted to listen to this fun song on the ATC's. What was striking was that some of this track is very rich and full and then other fills are aggressive and forward, it was a very interesting track on the ATC's.

Loudness is another quick note, the ATC's have probably a magnitude of 2-3 times less distortion than the WP7's, The ATC's never seemed as loud as the 7's but when turned up to compensate never became compressed when they were asked to play louder and louder. I wish I had measurements to back this comment up, but Soundstage has not reviewed a large ATC speaker system.

I would like to say that comparison was between two very good loudspeakers but once the price is factored in, the value meter drops quite a bit on the passive Wilson speakers. They were no match atleast the day I was there for the ATC system. I'm not sure juggling electronics could make up the gap, because the ATC's were also plagued by the BAT VK51se IMO. Also the ATC's were never moved about the room for best placement so there was likely more performance to be had from both speakers.

I enterred with a small amount of doubt that the ATC's would not clearly best the Watt Puppy's, especially since I hadn't heard the 7's. But there is no doubt in my mind if you would like to find value at this price point in the market, the ATC's are clear champions.

So my point is make sure ATC is on your list, there is a good reason every Telarc and Sony SACD is mastered on them"

Review Links

ATC Client List
Who needs reviews, check out the most prestigious client list in the business. Chances are at least half of your music collection was mastered on ATC Speakers.
Need more convincing check out this GOOGLE LINK

System Audio SA 1550 There are people who use sound as a source of inspiration and spiritual enlightenment. People who are enraptured by the rhapsody of a symphony orchestra. People who bless the blues from Chicago. People who crave the way guitar greats can make a Stratocaster talk, cry or sing. They feel at home in the subtle, sublime and swinging art of jazz. They can’t resist the blistering tempest of a full-blooded rock orchestra. Or the rarefied tones of baroque. They know intimately every song sung of their favourite vocalist – and treasure every nuance of every note. SA creates loudspeakers for these sorts of people.
People like you. At only £749 these may be the biggest bargain ever for a beautiful speaker

THEIL CS2.4"Excellent...(The CS2.4) dramatically exceeds the performance of speakers of comparable size"- Stereo Sound
"The THEIL CS2.4 is a great loudspeaker, one of the very best I've heard regardless of price" - Soundstage
"At their price, I have never heard anything better... Recommending the CS2.4s is one of the easiest jobs I've had to date/" - Secrets of Home theater and high Fidelity
Editors Choice - The Absolute Sound Award Winner

ProAc Tablette Reference Eight SignaturePossibly the best small speaker in the world, we know of no other speaker this small with genuine audiophile quality. No expense has been spared sourcing expensive drive units for this design and boy does it show!

To sum up: Clean and detailed sound, especially beguiling in the midrange; convincing soundstage, with rock-steady image; plays loud without losing sonic balance; superbly made

ATC SCM 50 ASL I was instantly drawn into musical events. Music was occurring in my room. My experience was of a live event, even if the recording was made in a studio. For me, almost any live musical event has an excitement, whether I like the music or not. When the music is performed with particular feeling, it not only captures your attention, but it captures your heart and plays the strings of your emotions. - Positive Feedback extract

Zingali Home Monitor 212-IIHave a listen to a good emotional female singer like Eva Cassidy. If your jaw dosn't drop then I will be checking for a pulse. grown men have been known to fight back tears before these speakers.

"Within seconds, I sank into a state of bliss. It may have been the music, the volume (just shy of "live"), or the heat in the room (from 150 glowing tubes!), but whatever it was, I remained transfixed for the next 45 minutes"
- Soundstage The 2002 Jimmy Awards

Gryphon PoseidonThere are Loudspeakers and then there is the Gryphon Poseidon, In our opinion the best loudspeaker system in the world bar none.

I could say the Poseidon's are awesome and amazing, but more than that they are truly majestic and magical. So often the quality of a product is overstated by reviewers in order to make a magazine review seem more interesting. It would be most difficult to overstate the sonic abilities of the Poseidon.

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